Dogs devouring dead horses

According to the exhibition's curator, Christian Rattemeyer, these four films can be interpreted «as a transition from a concern for the linguistic nature of film to one primarily focused on issues of reflection and projection». Raeder gave back to Islam a «sculpture in print» that does not just document the exhibition and offer a view of the three newer works on display, but draws upon the concepts underpinning the exhibition and the work of the filmmaker. (Excerpt from the introduction by Milovan Farronato)